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V18 2015 INDEX       E-SYLUM ARCHIVE

The E-Sylum: Volume 18, Number 30, July 25, 2015, Article 17

BRENNER AND WHISTLER'S PEACOCK

David Hill of the American Numismatic Society published a nice article this week in the ANS Pocket Change blog on a Victor David Brenner medal on American artist James Whistler. Here's an excerpt, but be sure to read the complete version online. -Editor

I came across Victor David Brenner’s 1905 medal of Whistler while researching an article on the collector Robert Eidlitz, its original owner.

Brenner Whistler medal obverse

The portrait is one of Brenner’s best, nicely capturing, in the words of cataloger Glenn Smedley, “the vainglorious, belligerent egotist who bickered with critics and writers.” The legend on the reverse “Messieurs les Ennemis” was fitting for an artist who called his autobiographical book The Gentle Art of Making Enemies (1904), which documented his interpersonal battles that played out in the press, including a libel suit against the critic John Ruskin.

Brenner Whistler medal reverse

And what about that peacock? A common enough Victorian motif, its relation to Whistler would have been instantly recognizable to anyone familiar with the goings-on in the art world at the time. It relates to a commission he received in 1876 to complete the decorative work on a dining room in shipping magnate Frederick Leyland’s London home. Whistler threw himself into the job, obliterating much of the work that had been accomplished already, and replacing it with golden plumage patterns and two large gold and blue peacocks.

Peacock-Room

His patron balked at paying for the unrequested additional work, so Whistler doubled down, covering more of the work in blue paint and adding a twelve-foot allegorical mural portraying two more peacocks, one representing Leyland in full rage—his greed manifested by the coins adorning its body and at its feet—the other himself striking a dignified pose.

So how did it turn out? If you are in Washington, D.C., you can see for yourself. The Peacock Room was acquired by the Smithsonian and has been open to the public since 1923 in the Freer Gallery of Art, which is, appropriately enough, free!

To read the complete article, see:
WHISTLER’S PEACOCKS (www.anspocketchange.org/whistlers-peacocks/)

Wayne Homren, Editor

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