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V18 2015 INDEX       E-SYLUM ARCHIVE

The E-Sylum: Volume 18, Number 39, September 27, 2015, Article 22

QUERY: 1840S COIN DEALER SEROVPE ALISHAN

Nick Graver writes:

A recently-met friend, Carlos G. Vertanessian of Argentina, has a fantastic daguerreotype portrait of an Armenian Dealer in Antiquities and Coins ‘probably’ made in “Italy or Paris, circa 1848.”

The portrait shows him holding some antique pieces with what looks like coins in trays on the table behind.

He is identified, from a very prominent family, and it is quite a wonderful image in all regards.

Photography was only ten years in use, so this must be one of the most interesting identified early portraits of a numismatist.

Very interesting! Carlos kindly forwarded me a copy of a short article he wrote for The Daguerreian Annual 2013, Thank you! The main text appears below along with an image of the photo. -Editor

daguerreotype portrait of Serovpe Alishan A favorite piece in my collection is a European image, probably from Italy or Paris, circa 1848. It is the portrait of an Armenian antiques dealer and collector Serovpe Alishan, twin brother of Gevond Alishan, a most prominent Armenian priest in the Mekhitarist Congregation of the Armenian Catholic Church, based on Saint Lazar Island in Venice. I attended the Mekhitarist fathers’ primary and secondary school in Buenos Aires—quiet a few years back! It was a most striking surprise to find this daguerreotype of an Armenian, related to this congregation, in my hometown. Just the fact that it was an Armenian was rarity enough, but that he is also related to the Mekhitarist Congregation and school, where my great uncle was also a priest, is amazing.

The daguerreotype came with a handwritten poem by Father Alishan and contained a most inspiring message of hope, dedicated to his twin brother, the sitter, on their fiftieth birthday. The poem was written in ancient Armenian so I could not manage to read it, and sought help from the schoolmaster—another Mekhitarist father—after I purchased it.

Along with the daguerreotype were some of the archeological and antique pieces that are shown in the portrait. A few of them I was able to purchase along with the image. You can see a collection of coins, on top of a Chinese Go game; a Persian fez-style hat; and some Egyptian figures. Also a Greek “tanagra” head can be seen lying on the table. Serovpe is holding a metal lion’s head—which I was able to purchase—and in his lower hand a Greek “tears-holder,” used in ancient Greece to collect the tears of a person in grief, and thus measure his pain. The lion might represent the strength or courage to overcome pain, represented by the Greek container. His elevated gaze and posture are most inspiring.

So, of my collection, this is the undisputed masterpiece! I trust other members will agree it’s a unique occupational portrait of a fellow collector, and antiquarian, of a most unusual nationality.

Very interesting! Carlos also made this close-up image of the photo, showing the coin trays. -Editor

closeup of coin trays in photo of Serovpe Alishan

Many thanks to Carlos and Nick for making this rare early image available to us. So - what do numismatists have to say about this? Was Serovpe Alishan known as a dealer outside his home country? Did he publish? Are there any known articles, price lists or auctions associated with him? Any important coins whose pedigree includes his name? Anything the community can provide will be appreciated, and perhaps provide material for a future article profiling him in more detail. Below is the complete caption for the photo and contact information for Carlos. -Editor

"Artist Unknown. Serovpe Alishan. Armenian Antiquarian." Circa 1850. Sixth plate daguerreotype. Europe.Collection of Carlos G. Vertanessian, Buenos Aires, Argentina. daguerrotipia@gmail.com"

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Wayne Homren, Editor

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