|
Welcome to The E-Sylum: Volume 4, Number 09, February 25, 2001:
an electronic publication of the Numismatic Bibliomania Society.
Copyright (c) 2001, The Numismatic Bibliomania Society.
SUBSCRIBER UPDATES
We have two new subscribers this week: Rick Witschonke,
and Peter Mosiondz, Jr., who writes: "Please reinstate me to
The E-Sylum. I can not leave this hobby that I love so much."
Welcome aboard, and Welcome Back! Our subscriber count
is now 371.
Or is it? Chet Dera writes: "You do a great job on The
E-Sylum and I enjoy every issue. I have forwarded your
E-Zine to several people many times, either in part or in
total. So you have more than the listed number of subscribers.
Keep up the good work."
AMERICA ONLINE OUTAGE:
When a couple of America Online subscribers reported that
they hadn't received the last issue of The E-Sylum (February
18th), I sent a note to a random sample of AOL subscribers.
Only one said he'd received it. There are 87 AOL folks in all.
To be sure I resent the issue to all of them. Let's hope this
won't become a regular occurrence.
NEXT ASYLUM ISSUE
Editor E. Tomlinson Fort reports that the finishing touches are
being put on the next issue of our Print journal, The Asylum.
The No. 1 issue of the 2001 volume, which boasts an extra
four pages, will contain the following articles and departments:
"President's Message" by Wayne Homren.
"Letters to the Editor"
"In Memoriam: Frank Katen (1903-2001)"
by His Friends and Clients.
"Frank Joseph Katen: Pathfinder of Numismatic Literature"
by Joel J. Orosz
"Frank Katen - An Appreciation" by George F. Kolbe
"Frank Katen, M.A. Powills and Frank Causey Wilson's
Bulletin" by Wayne Homren
"Frank Katen vs the ANA" by Pete Smith
"An Overview of Copyright Law for Numismatists"
by Ben Keele.
"The Printer's Devil: Colburn's Cogan: An Exercise in
Reconstructing Provenance" by Joel J. Orosz.
TEMPUS IN NUMMIS
Lawrence Lee of the Durham Western Heritage Museum
(home of the Byron Reed collection) writes: "The recent
E-Sylum discussions over the correct term for various
anniversary dates caused me to turn to the definitive work
on time in numismatics, Tempus in Nummis.
In Volume 2, beginning on p165 of their metacognitive
work, authors James Sweeny and Robert Turfboer devote
an entire section to the language of anniversaries. Among
their factoid gems: a tertiomillennial marks an anniversary of
333 years, while a sesquibimillennial occurs every 2,500
years. Which will be about how long it will take anyone to
surpass Sweeny and Turfboer in covering the subject."
[Editor's note: Hail to Sweeny and Turfboer! And shame
on me for not going to my bookshelf before asking my
original question. Of course, if I hadn't brought the subject
up, we'd have missed everyone's interesting replies.
Tempus in Nummis, published in 1992 by Numismatics
International, is one of my favorite numismatic books, and
I'm glad to see others think likewise. ]
CELEBRATE "SHROFF" TUESDAY BY THROWING BAD COINS AT BANKERS
Michael E. Marotta writes: "Discussing the etymology of
"Shrove Tuesday" I discovered "shroff" in the Merriam
Webster Ninth Collegiate. (It is also in the 6th and 10th.
Although it is in the New World hardcover up through
1969, it is not in my paperback edition from 1979.)
Searching the ANS Library returned no hits on this word.
What is most interesting is that actually testing money is
explicitly one of the services of the shroff.
I then found other references online that point to
variants such as serafine (xerafin), a word for Arabic
gold coins well known to American colonial merchants.
http://original.bibliomania.com/Reference/HobsonJobson/data/831.html
Sir Henry Yule C.B., K.C.S.I. and A. C. Burnell Hobson
Jobson: The Anglo-Indian Dictionary pages 831-832
SHROFF, s. A money-changer, a banker. Ar. sarraf,
sairafi, sairaf. The word is used by Europeans in China
as well as in India, and is there applied to the experts
who are employed by banks and mercantile firms to
check the quality of the dollars that pass into the houses.
"Shroffing schools are common in Canton, where teachers
of the art keep bad dollars for the purpose of exercising
their pupils; and several works on the subject have been
published there, with numerous illustrations of dollars
and other foreign coins, the methods of scooping out
silver and filling up with copper or lead, comparisons
between genuine and counterfeit dollars, the difference
between native and foreign milling, etc., etc."
ANNULAR VS. ANNULET
Dick Johnson. writes: "The criteria for a good numismatic
term is that it has a specific meaning and cannot be confused
with anything else. "Annular" fits this criteria and its use can be
encouraged in numismatic literature. It should not, however,
be confused with "annulet," which means "a raised circular
line or ring" in numismatics.
In medallic art annulet can be found in several uses. In fabricating
certain medallic items--badges are a good example--a stock
badge can be customized by applying a newly created center
emblem. The stock item contains an annulet -- raised round
circular line in the die and the struck piece--where the circular
emblem is to be affixed.
The same term holds true for the feet applied to the back of
a medallic paperweight. Annulets will be placed in the reverse
die (usually at the four corners), and the separate feet --
usually half balls -- are applied within these small raised circles.
The annulets serve as an attractive frame for the applied item.
A special kind of annulet, called a "limiting guide" is engraved
in the die where a hole is to be drilled in the struck piece. The
U.S. Mint did this for some early Indian Peace Medals.
Examples: James Madison (Julian IP-5) and John Tyler (IP-21).
The tiny raised circles, at the 12 o'clock position inside the rim,
served as the focus for the drill bit. The existence of a limiting
guide meant the struck piece was intended to be holed.
For coins, there are annulet mintmarks (small circular rings).
Example: England's annulet coinage of Henry VI."
QUESTIONS ON HORAN'S REPRINT OF MCKENNEY-HALL
George Fuld wrote in with a few questions on the Horan book:
1: "I have checked the Horan edition of 120 plates, and only
27 of the 120 contain Indian Peace Medals. Is there this
much difference between the original 150 plates and the
Horan edition? [Editor's note: Fuld later wrote: "I must
apologize--upon further checking of the 128 Horan plates,
actually 41 show Peace Medals!! Sorry for misinforming
Don G."]
2. Incidentally, I can't find Horan's reference to McKenney
collecting Peace medals -- only a long reference to the
John Q. Adams issue. Did I miss something?
3. Are the original 150 plate set available on the internet???"
Your Editor investigated the internet question, and found hundreds
of references to McKenney-Hall, but these lead mostly to dealers
peddling copies of the prints. For those on a tight budget, you can
buy a pack of 52 playing cards featuring the prints. One of the
few noncommercial web sites featuring the prints is the
Smithsonian Museum of American Art, which has six McKinney
Hall images: http://nmaa-ryder.si.edu/
George's first two questions are addressed in the following
note from Jan Monroe:
"I am not an expert on the original McKenney-Hall plates.
However, I have looked at a set of books produced in the
1930's as I recall that showed about the same percentage of
medals (i.e.about the 27 mentioned.) The Horan book does
show many prints of indians wearing peace medals.
The Asylum article on the McKenney prints and books
published years ago should provide more information for
George Fuld as it was a great piece of research.
[Editor's note: Jan is referring to an article by Don Groves
in the Autumn 1995 issue of The Asylum (Vol XIII, No. 4,
pp19-21, titled "North American Indians - McKenney
& Hall."
On Page 86-87 of Horan is the section on the ordering of the
peace medals from the US Mint by McKenney for the Indians.
On page 66 the book states that "McKenney toured the
countryside on horseback, collecting curiosities from an Indian
Mound for his archives and interviewing survivors of the Indian
and Revolutionary wars and the war of 1812." .... Before the
expedition was finished bales and boxes of Indian costumes,
bones, jewelry, beadwork, pipes, medals...had been sent back
to Washington."
It is not really clear if "his archives" is McKenneys personal
collection or if it was for the Federal Government. On page 62
the book states that "The archives and Indian Portrait gallery
were now part of the Bureau of Indian Affairs..."
The general tone of the book is that McKenney was very
interested in the Peace Medals and was actually the individual
that convinced the War department to issue Indian Peace medals.
The War department thought they were too expensive.
McKenney reviewed the models prepared by Furst of
Presidents Madison, Monroe, and Adams.
McKenney was in a position to purchase copies of medals if he
wished and his employees distributed the medals to the Indians.
McKenney wrote to the Secretary of War in 1825 outlining the
history of the Indian Peace Medals.
Given this history and his interest I believe that it is quite
likely that he did have at least a few Indian Peace Medals
although the book does not mention a personal collection.
It is unclear from the Red Jacket discussion as to whether
he intended to purchase the Red Jacket medal for himself or
the war department. After rereading the text I may have
assumed too much.
At the time of his death McKenney was impoverished and if
he had a collection of medals it would have been sold to help
pay for the publishing of his book or his living expenses.
McKenney was a great man and a true public servant who
accomplished great things but died with little recognition for
his accomplishments."
VIOLA BIOGRAPHY OF THOMAS MCKENNEY
In the category of "no one asked, but here it is anyway",
my web search turned up a reference to a biography of
McKenney:
Viola, Herman J, "Thomas L. McKenney : Architect Of
America's Early Indian Policy, 1816-1830" Sage Books,
Chicago, 1974. Perhaps one of our readers can track
down a copy and let us know what it may say about the
peace medals.
SOME NOTES ON MCKENNEY AND HALL PORTRAITS OF AMERICAN INDIANS AND THEIR PEACE MEDALS
Bill Spengler writes: "I took particular pleasure from your note
in the last E-Sylum on the above subject because of long
personal association with original lithographs, large and small
sized, from the McKenney and Hall portfolios and other
contemporary series.
My parents began collecting these so-called "Indian prints" in
the 1930s and managed to assemble about sixty of them by
the 1970s when they divided and gifted them to me and my
three siblings. We each inherited about fifteen, supplemented
by a few which we purchased ourselves along the way. Most
of these have now been handed down to the third generation.
I have kept my favorite trio which happen to be among the
most popular of the entire portfolio: Red Jacket,
"MA-KA-TAI-ME-SHE-KIA-KIAH" or Black Hawk a
Saukie Brave", and Keokuk "Chief of the Sacs and Foxes"
depicted with his young son (the only father-son combo in the
series). All, including Keokuk's son, are shown wearing
presidential peace medals.
Red Jacket's medal is identified in your note as one of President
Washington dated 1792. Black Hawk's appears to be of
President Andy Jackson who brought him to Washington as a
sort of paroled prisoner where his portrait in a red feather
headdress was painted by Charles Bird King in 1837. (There
is a later portrait of a more mature Chief Black Hawk wearing
a blue coat, not in the McKenney-Hall portfolio but sometimes
available in original lithograph.) The presidential portrait on the
peace medals worn by Keokuk and his son does not look like
Jackson's, as on Black Hawk's medal, though their likenesses
were painted by King in Washington the same year, 1837.
This was Jackson's last year in office and Martin Van Buren's
first, so perhaps their medals were awarded by the latter.
The details of these medals are quite unclear on the original
lithographs and even more so on the mediocre reproductions
in Horan's 1972 reprint. Only historical research into the actual
presenter and date of presentation of the medals can resolve
such questions. Hopefully someone will undertake this
identification for ALL the peace medals in this important series
of portraits -- of which I counted fifty-three, rather than forty-nine,
if you count the three medals ostentatiously sported by
Naw-Kaw and the three by the "Winnebago Orator".
I might point out that while these lithographs are attributed to
Thomas L. McKenney, Superintendent of Indian Affairs under
four presidents up to and including Jackson, and his historian
colleague James Hall, they only reproduced prints of paintings
most of which had been made by King and his pupil George
Cooke in Washington in the 1830s; or copied by King from
original paintings done earlier by James O. Lewis at the sites
of treaty councils with exotic French placenames such as Butte
des Morts ("Hill of the Dead"), Fond du Lac ("Bottom of the
Lake", i.e. the southern end of Lake Winnebago) and Portage,
all in eastern or southern Wisconsin. I was born and raised
between the first two named places, longer ago than I would
care to admit, and grew up in awe of the memory of many of
these personages.
More later when I find the time to comment further, as Red
Jacket, Black Hawk and Keokuk & Son beam down on me."
PORTRAIT GALLERY PEACE MEDAL EXHIBIT
Still more information turned up by the web search:
Indian Peace Medals from the Schermer Collection are on
display at the National Portrait Gallery in Washington, D.C.
January 26, 2001 through June 3, 2001. From the museum's
web site: http://www.si.edu/activity/exhibits/sib.htm
"On view are 19 peace medals presented to Indian tribal
leaders by the United States government between 1793 and
1881, along with a British medal depicting George III and
given to Canadian allies during the War of 1812. The U.S.
medals, usually made in silver and with a portrait of the
current President on one side, were often given to secure
treaties and cement political loyalties. The pipe and hatchet
motif appeared on the medals until 1850 and symbolized peace.
Also on view is a complete 3-volume set of The History of
Indian Tribes of North America by Thomas L. McKenney and
James Hall, one of the 19th century's most important works on
the American Indian. The series, printed in Philadelphia from
1837-1844, includes biographies of Native American leaders
and 120 hand-colored lithographic portraits that reproduce
painting made by Charles Bird King and other artists.
These objects were donated to the National Portrait Gallery
by Lloyd and Betty Schermer."
DYE'S COUNTERFEIT DETECTOR FOLLOWUP
Being naturally curious, your Editor decided to assign a
staff reporter to follow up on the recent eBay sale of an
1850 Dye's Counterfeit Detector and Universal Bank Note
Gazetteer" (reported in the February 4, 2001 E-Sylum,
v4, no. 06).
Then I realized, "Hey, I don't have a staff!" So playing
beat reporter, your Editor contacted the seller seller himself,
asking how he acquired the item and what he thought of the
bidding which took it from a $9 opening bid to a final
$1225 hammer price. The gentleman wrote:
"I found the item while browsing an upstate NY antique
co-op looking for photographs to add to my collection.
I stopped at one booth, and the photos were terrible, so I
started looking at the paper items available. The detector
was priced at the reasonable sum of $15.
After looking through it, I decided it was worth that much
as an interesting diversion to read, and then resell. As to
its value, I felt sure someone who collected paper money
would be interested in it for more then I paid for it, but to
be honest, I thought it likely that the amount it would resell
for was in the $50 to $100 range. I was surprised by, and
don't pretend to understand the reason for the final bid.
Needless to say, if I ever see another, I've learnt something
useful here."
FEATURED WEB SITE
This week's featured web site is a maker of medals and
reproduction coins, The Bigbury Mint in South Devon,
England.
"To satisfy the needs of Living History Groups, collectors
and retailers, the Bigbury Mint produce a range of semi -
replica hammered coins that really do look and feel authentic.
Weights, alloys and fineness are kept close to the original
remedies and coins can be supplied as new or in a gently
toned and aged condition. Original coins are carefully
analysed to determine engraving techniques and over years
experience is used to re-create the dies in fine detail.
The Bigbury Mint acts as a real period Mint with it’s
own mintmark, issuing coins under it’s own name.
There has long been a conflict of interests over those who
supply this type of coin with some wanting absolute
replication and with others worried about the whole idea
of copies.
The Bigbury Mint offers a reasonable compromise. Apart
from using our own mintmark we will normally alter the
reverse legend to include an appropriate version of the word
‘Bigbury’.
An example of each of our replica coins are held at the
British Museum for reference."
http://www.bigburymint.com/
Wayne Homren
Numismatic Bibliomania Society
Content presented in The E-Sylum is not necessarily researched or independently fact-checked, and views expressed do not necessarily represent those of the Numismatic Bibliomania Society. The Numismatic Bibliomania Society is a non-profit organization promoting numismatic literature. For more information please see our web site at http://www.coinbooks.org/ There is a membership application available on the web site. To join, print the application and return it with your check to the address printed on the application. Visit the Membership page. Those wishing to become new E-Sylum subscribers (or wishing to Unsubscribe) can go to the following web page link. |
|