The Spring 20205 issue of Bo Tales from the Original Hobo Nickel Society has a nice article by Barry Homrighaus on "Flapper Carvings" - nickels sculpted to depict the fashionable young women "flappers" of the early 20th century. With permission we're publishing an excerpt below. Thank you! See the complete issue for more.
-Editor
Most classic hobo nickels depict bearded gents in derby hats.
Classic carvers also portrayed and often satirized lots of other
male characters; Irishmen, Chinamen, Rabbis, Shriners,
Uncle Sam, Honest Abe, etc. But ladies on hobo nickels are
exceedingly rare.
Only thirty-eight images of women can be found among the
more than 2,800 classic carvings (i.e. carvings on Buffalo
nickels made before 1982) in the OHNS archives. Three of
these thirty-eight are women with artfully-styled long hair,
carved by "Bert" Wiegand. Twenty-six more are attributed to
"Bo" Hughes, mostly images of his lover "Monique." Of the
remaining nine portraits of women in the archives, eight are
Flappers, and it was these eight which initially caught my
interest. Subsequent research located four more Flappers in
private collections which having never been the subject of a
QD examination cannot be found in the archives.
The birth of the "flappers" in America can be traced to the
early years of the 20th century, when popular media began to
showcase women with boyish figures, slinky dresses, and
short, "girlish" hair. But the flapper image was not just a style,
it was a statement. Flappers challenged the social norms of
their day with scandalous clothing, quirky hairstyles, and
shocking behavior. They chain-smoked cigarettes and drank
gin, and were "all the rage" in Hollywood.
The most iconic feature of the flapper's style was short or
"bobbed" hair. It could be a straight, blunt cut known as a
"Dutch bob," or curled up around the cheek as in the
"coconut bob," or styled with "finger waves" or "spit curls."
While only a few of the flappers are remembered by name
today - Clara Bow and Josephine Baker come to mind - as a
generation of young women redefining their role in society,
they have not been forgotten.
Only the best hobo nickel carvers made extensive
modifications to the profile. It was easier for a less skilled
artist to simply add a beard and mustache and otherwise leave
the facial features alone. The complete transformation of the
face of Flapper #1 showcases the work of a master carver.
Flapper #4 must have looked familiar to Del Romines, even if
he had never seen that particular coin before, because it was
an almost perfect match to Flapper #5, the coin with the
inscription "JK 1921" which had graced the cover of his first
book, Hobo Nickels, in 1982.
Romines graded Flapper #4 Superior, and his familiarity with
Flapper #5 was evident when he described #4 as, "Possibly
part of a series which was originally thought to have been
carved by a female. A ‘JK 1921' and ‘JT 1919' coins are
pictured on page 35 in the hobo nickel book, and are very
similar…to this carving." [my emphasis].
With these comments, the original thought that a woman had
carved the Flappers was dismissed. Instead, Romines
asserted that Flapper #4, and by implication its twin #5, were
"possibly… by Bo." After October 1995, through decades of
subsequent QD reports and articles written by hobo nickel
experts, the theory of a female hobo nickel carver never
appeared again.
For more information on the Original Hobo Nickel Society, see:
https://www.hobonickels.org/
Wayne Homren, Editor
The Numismatic Bibliomania Society is a non-profit organization
promoting numismatic literature. See our web site at coinbooks.org.
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